The Anomie Review of Contemporary British Painting
Publication
Anomie, London, 2018
Softback, 160 pp., 280 × 210 mm

The anthology documents the work of the invited artists by means of solo exhibitions in public museums and galleries, as well as in commercial, independent, university and artist-led spaces, both in Britain and abroad, during 2017. The publication presents around 160 images, including installation views from many of these exhibitions, giving both context and a sense of scale to the works. The anthology features the work of forty artists at various stages in their careers, from high-profile, internationally renowned artists to up-and-coming names. Featured artists and exhibitions include: Tom Anholt at Mikael Andersen, Copenhagen; Gillian Carnegie at Cabinet, London; Peter Doig at Michael Werner, London, Kaye Donachie at Le Plateau, Frac Ile-de-France, Paris; Nick Goss at Josh Lilley, London; Lubaina Himid at Badischer Kunstverein, Karlsruhe; Ryan Mosley at Eigen + Art, Leipzig; Chris Ofili at Victoria Miro Venice; George Shaw at Maruani Mercier, Brussels; Raqib Shaw at The Whitworth, Manchester; Clare Woods at DCA, Dundee; Rose Wylie at Serpentine Galleries, London; and Lynette Yiadom-Boakye at the New Museum, New York.